Don’t Your Hands Get Wrinkled?

There’s some truly excellent bathtub writing in Service, John Tottenham brand new novel. Here, illegally probably, is a sample:

I slid into the tub as it was filling up and once submerged increased the flow of hot water until almost boiling. Then, and only then, did I know something resembling contentment.

It is my duty as a novelist to describe my time in the bathtub, basking in the consolation of art and liquor — I should be summoning the sounds of cars rumbling by on the street outside, the strains of eerie violin sliding in, and the gurgling of water as it lapped against the overflow drain; I should be depicting the ant scurrying along the side of the bathtub, flirting with the spume-laced waterline, then darting back up to attempt egress through the deceptive crack at the bottom of the fake beige-veined marble tile; and I should be delineating the first exquisite sip of the Presbyterian, rich with the promise of relaxation, as it eased down my throat, and how I abstracted myself from these material surroundings and lost myself in the soothing world of Barbara Pym’s prose — not merely to state, dryly and diaristically, that I enjoyed spending time in the bath, but to reproduce the experience with telling details and evocative little flourishes.

Well, I did that. Honestly, I did.

And there’s more:

“Most of my reading takes place in the bathtub,” I added, hoping to impress her with an interesting personal fact.

“Really?”

“I often read for two hours or longer in there, sipping a cocktail, with classical music playing in the next room. It gives me more pleasure than anything else.”

“Anything?” she said, smiling again.

“Just about,” I said.

“Doesn’t the water get cold?” she asked.

“I adjust the taps with my toes and drain the existing water as I’m doing it.” It always amazes me when I’m asked this question; the answer seemed so obvious, but maybe some people didn’t read in the bath.

“Don’t your hands get wrinkled?”

“No, because they’re above the water level, holding the book.”

“Don’t you get faint?” That long smile appeared again.

“Sometimes, when I finally emerge. Where do you read?”

“Usually in bed…”

“Do you work here?” we were interrupted by a customer.

“Whatever gives you that impression? Never mind. What do you need?”

Just wonderful stuff. Everyone should read Service. He works in a bookshop and is miserable there. It’s Black Books but really bitter. Blacker Books.

Landmark

Escape Everything! was first published in 2016 by Unbound/Penguin, the culmination of seven years of research conducted through New Escapologist magazine.

It was a LANDMARK book about how to escape the daily grind of work, consumerism, loneliness and despair. It was also very funny and written by an absolute wizard.

2021 saw the paperback release of a slightly updated version of book. It had a crappier cover and the confusing new title of I’m Out.

When Unbound went bust in 2025, the book went prematurely out of print.

For the book’s tenth anniversary, it’s time to get it back into print and back into bookshops.

I’m trying to raise the scratch to get my book Escape Everything! back into print.

Do me a solid, yeah?

Thanks if you do.

Itch News

Dear Diary. I thought you might like an Eczema Update. It’s what we’re all here for, right?

I no longer claw at myself like a thing deranged. I’m not germy. I’m not bleedy. I’m not sleeping all day. I’m not confined to the house. I am much, much, much, much better.

And yet it continues.

The NHS have a “clinical pathway” for eczema. It goes steroids > phototherapy > immunosuppressant > biologics.

Today I arrive at biologics, meaning that my eczema is finally understood by medical practitioners as “completely bananas” and that nothing else really works. If the biologics don’t work, there’s nothing science can do for me.

But I have faith.

Despite everything.

Steroids were what made me properly ill last year. They sort-of work on eczema (but not really) and the side effects of long-term ‘roid use are appalling. Most doctors don’t advise anything beyond the steroid step of the clinical pathway for some reason. No idea why. All steroid creams and pills come with an information leaflet that tells you not to use it for longer than a week; pharmacists make the same dire warning when you buy it over the counter. They give you a stern look, knowing full well you’ll do what the fuck you like with it as soon as you get in the door, forbidding you to use it on your face ever and nowhere on your body for longer than a week. GPs don’t seem to give a shit about any of that. They’ll have you on it for years. Decades! Which is how I ended up disabled for five months last year. Cheers lads.

Phototherapy means reporting to hospital thrice weekly to stand naked but for a posing poch in stand-up sunbed thing to be blasted with light rays. It took ages for this treatment to have any effect on my eczema and I had to pause the treatment halfway for sunburn. I went through this shit twice. It sort-of worked, but only for a few weeks. The eczema just came back and you can’t keep getting the phototherapy lest it give you superpowers or cancer. Well, at least they heed the warnings on this one.

The immunosuppressant — a self-injected concoction that tells your immune system to stop freaking out over nothing — actually worked. I was largely eczema-free while I took it. It just made me poorly in other ways. I found myself nauseous to the point of collapse for at least one day a week. Don’t get me wrong, it’s better than debilitating eczema, but I can live without it. I’ve been off the treatment for two weeks now and the eczema is coming back. I’ve had some very satisfying scratching sessions.

So now it’s biologics time. So far as I can tell, it’s basically nanotechnology.

The injections are hand-delivered by a special company with a refrigerated van and must be placed directly in the fridge next to the yoghurts as soon as they arrive. Which I have dutifully done. The meds come with a huge wad of literature, a plastic sharps bin, and an app to download. I think it’s all supposed to make me feel less nervous about taking the injections, but it really serves to have the opposite effect.

Ah well, bottoms up.

Nowness: March 2026

It’s March 2026. I’m a writer and ah bloooooody love it. I live in Glasgow with my chosen human.

Projects

I’m working to publish a small book for John Dowie and a tenth-anniversary edition of Escape Everything!, the rights having reverted to me from the original publisher. I’m writing a new afterword for it.

Work is underway on New Escapologist Issue 19 plus a prototype archive edition of our back issues, and I’m submitting Melt It! happenings to fringe festivals.

Reading

I’m reading Gen-X classic Geek Love by Katherine Dunn for the first time, and Some Men in London by Peter Parker (not that one).

Culture

Series 6 of Black Mirror is incredible, especially the one about Jessie Pinkman in space.

I enjoyed the Nightingales at the Voodoo Rooms the other night, trotting home with two new records and a kazoo.

I’m looking forward to seeing The Running Man at the GFT this week, with a Q&A from director Edgar Fish.

I’ve been watching the destruction of important Glasgow art spaces for ages. This article barely begins to account for the scale of the loss but at least someone has noticed what’s going on. “Is Glasgow losing the spaces that made it an arts powerhouse?” the piece asks. It’s already lost them, you’re literally reporting on the closure of the last venues standing.

Physical form

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The Year of Piss

I have published a short novel about piss. I’m quietly proud of it. More for the mischief than anything.

I haven’t really promoted it yet, but there’s a really nice interview with me by John Robinson here.

You can buy an expensive but excellent hardback edition here and/or a bargain paperback edition here. There’s also a digital edition in case you are a Borg. All editions contain a pair of illustrations by Landis Blair.

Anyway, this must be the year of piss because Rosie Holt has this amazing-sounding piss play going on. It’s called Churchill’s Urinal:

Freshly installed in 11 Downing Street, a fearless female Chancellor of the Exchequer is determined to get rid of the ancient urinal in her grace-and-favour en-suite. Intrigue overflows into outrage when it transpires that the porcelain was first tinkled on by that undying icon of Britishness, Winston Churchill. Soon, the whole nation has a view on this storm in a pisspot. Join us for this rambunctious romp through the corridors of power and discover whether our fearless Chancellor’s grip on her Budget red box can survive the clamour for her Whitehall washroom to be awarded a Blue Plaque.

Yellow heart emoji for piss freaks. 💛

Nowness: February 2026

It’s February 2026. I’m a writer goddamit! I also dabble with publishing and film production.

I’m on a train as I write this note to you, blasting home to Glasgow. I’m having one of those “what I am doing with this gift that is life?” conversations with myself, so what better time to update the Now page?

Projects

Yesterday saw the first full, non-WIP screening of our documentary film. It went extremely well and you find me a little bit buzzy.

My second novel, Tether has gushed out. It is disgusting bliss. And is yellow. Get it, players!

I’ve written a few pieces for New Escapologist Issue 19 and commissioned others still. Issue 18 remains good and fresh though, so please pick up a copy online or at one of these excellent places.

I’m yet not sure what my next big project should be. I’m thinking of doing some New Escapologist collections of early issues. These should be better than “best ofs” and I see the archive editions of Worn journal as something to aspire to.

That said, I don’t want to spend a year managing the long tail of legacy projects. I’d like to crack on with the third novel. I also have an idea for a thing dependent on snagging interviews with two quite high-profile guys, so there are practical challenges there.

Other stuff too. As you can probably tell, I’m reconstituting.

Reading

I’ve been reading Autonauts of the Cosmoroute, by the mid-century Argentine novellist Julio Cortázar. Its a 1982 account of Cortázar and his wife Carol Dunlop travelling between Marseille and Paris (usually a journey of a couple of hours) in a VW van, stopping for the night at every other rest station over the course of a month. It’s absolutely brilliant and their experiment was done years before psychogeography or love of motorway modernism really existed.

I’m having fun trying to smash my wishlist. I want to read or acquire the whole lot of it this year. A nourishing time.

I also have an ongoing project to read all of Stephen King. Good clean fun.

Travel

We’re on a train as we speak. Pay attention. We just passed through Wigan North Western station.

Culture Gobbling

I lik this picture (from this Guardian item) of puppeteer Ted Milton playing with his son in 1971:

Scarred For Life is a great podcast with good guests. They each bring three “scars” from their childhoods, usually (but not always) from things glimpsed via popular culture. Yvette Fielding’s episode is a fascinating insight into the production of paranormal telly while Dom Joly’s recent one is a remarkable account of his travel writing career. Nick Helm’s “scar” of Freddy Kreuger popping up everywhere in 1980s London, especially on posters in the Tube, is very relatable to me: it sounds like we both had childhoods spent flinching at strange and inappropriately-placed horror film images.

I’m watching Starfleet Academy because curiosity got the best of me. I generally dislike NuTrek, so that this show is watchable is miraculous. Akiva Goldman, notably, was nowhere near the creative process.

I’m filling my Charlie Kaufman and Spike Jonze gaps. Here’s a rare and pleasant documentary about Maurice Sendak made by Jonze that I carelessly and probably illegally lobbed onto YouTube:

When I mentioned the Sendak film to friend Lando, he sent me this collection of interviews between Sendak and NPR’s Terry Gross. Tis moving.

Sometimes, stand-up comedy is important to me: positive, rugged, pure, independent, ideas-driven, a cleanse. Other times, I’m disgusted and bored by it. It makes me feel glad at the moment, though the mudslide of mediocre acts about to take over my favourite Glasgow music venue for the March comedy festival threatens to push my buttons. One of my first stand-up loves was Harry Hill’s Man Alive video, which was very much a sacred text. Harry is back now, on YouTube for free, with The Harry Hill Show. It’s absolutely adorable. I am instantly a fan of “Name the Seed,” and I love that it’s filmed at Battersea Arts Centre where I have many several happy memories, not least interviewing the Iceman for a day. Go away from the flats.

Physical Form

Here’s how I look now, shot on expired Polaroid film by the Iceman himself:

And a wider shot of what was actually going down:

Old Now pages (Then pages?) are squirreled pointlessly into the Now Page Archive

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Nowness: October 2025

It’s mid-October 2025. I live in Glasgow. I’m a writer, but I’ve been dabbling in film production and book publishing.

Projects

The edit continues on our documentary film. It’s almost done. We have a screening scheduled at the Wolverhampton Lockworks on 8th February 2026, but we’re also hoping for a premiere before then.

I’m still tinkering with my second novel, which is almost finished. It will be published soon in a mysterious way with no blurb, synopsis or cover design.

As an upstart publisher, I recently midwifed Diary at the Centre of the Earth Vol. 1 by Dickon Edwards. There’s a launch event in London on 24th October 2025 and we’ll be selling and signing copies at the Small Publishers Fair on 24th and 25th October.

Issue 18 of New Escapologist has just arrived from the printers. It will be for sale at the bookfair mentioned above and subscriber copies will be shipping soon.

Reading

You can see what I’m reading at this very moment here, plus I recently initiated a lunatic project to read every book by Stephen King.

Travel

My most recent trip was to Montreal in September. On this trip I saw a bit of contemporary art, a lot of family, bought and read Big Mall by Canadian Kate Black, ate poutine and the world’s best bagels and challah and hamantaschen, and drank a lot of Third Wave coffee and St. Ambroise oatmeal stout.

I’m now planning a November trip to Utrecht for my third visit to Le Guess Who? festival. On my way, I’ll also see Krakow in Poland for the first time, travelling 13 hours by rail to my final destination.

Culture Goblin

I’ve become very interested in a 1970s comedian called John Paul Joans. Please tell me if you know anything about him.

Ever the connoisseur of melting ice, I enjoyed hearing a glacier melt at the Montreal CCA.

I recently saw Six Organs of Admittance and Richard Youngs at Glasgow’s Old Hairdressers. I bought School of the Flower on vinyl at the merch table and have been listening to it ever since.

I’m watching some recent spooky stuff in October. Best so far has been Little Monsters (2019). Looking forward to Good Boy (2025).

I’ve been drinking Kenyan coffee at Kahawa Mzuri in Glasgow.

I deleted all of my witterings at Bluesky, a social network I broke my vow to muck about with. It’s fine over there but I’d rather use my energy to rewild the Old Web, as you should too.

I’ve been browsing the Now pages indexed by Derek Sivers. I seek out the non-tech people.

I sincerely love my wife’s Monster of the Week blog.

Physical Form

Here’s a picture of me in the bathroom of a new local coffee spot called Amulet.

Old Now pages (Then pages?) are squirreled pointlessly into the Now Page Archive

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Practice

People are getting better at the “practice” versus “practise” rule. Have you noticed?

Bloggers get it right more often than not now. Submissions I receive for New Escapologist, even when they’re terrible, get “practice” and “practise” spot-on.

It’s like when supermarkets a few years ago started describing their express checkout lanes as being for “five items or fewer” instead of the incorrect but time-honoured “five items or less.”

You see, “practice” is a noun and “practise” is a verb. It’s “an artistic practice” but “practise makes perfect.”

I’m a bit of a grammar pedant with strong feelings about ugly words, but I’m sorry to say I’ve been left behind on this “practise” business. For me, it’s all “practice” and always has been, but apparently that’s the American way.

For once, I distance myself from the pedants. It can all, I think, be “practice.”

I still prefer “foetus” to “fetus” though.

Brilliant and Funny

This just in:

I finished Rub-A-Dub-Dub today. It has been a most treasured summer read for me. Brilliant and funny (I think I averaged one chortle per page). Hit me in the way the best Kurt Vonnegut books do: a humane portrait of the absurd, futile and grotesquely beautiful enterprise of being human.

So fuck this guy.

One chortle per page is good whack, by the way. The book is 281 pages, making it better for your abs than any kind of workout.

And this is the sort of thing I like to see: