Fight the Trite
Happy Birthday to you, Thunk!
Happy Birthday to you, Thunk!
Happy Birthday dear Laaaaauraaaaaa, Thunk! Thunk!
I am in pain. It’s partially self-inflicted from bashing my head against the function room wall (balloons tacked into each corner, some hilariously arranged to resemble a cock and balls) and partly as a result of third-party cliché abuse.
Happy Birthday to yooooou.
You will never hear me sing the happy birthday song. No price is high enough.
Yes, I have a problem. I have a mental illness that nobody seems to understand. If I explain that it’s a bit like Tourette’s Syndrome, we’re getting close.
What’s the problem exactly? I am adverse to the trite: to doing what’s ‘expected’ or ‘required’ or to ‘go along with things’ – especially when doing so is supposed to be ‘fun’.
Don’t misread that I position myself as an angry rebel-to-the-core. I can conform when I have to. Then again, I’d probably betray us all to the storm troopers if we were hiding in the attic and some dickhole said, “Shhh”.
Like I say, it’s a syndrome.
Whenever I’m required to ‘join in’ – to clap along or to dance to music or to play some sort of game where a requirement is to work with other people – I am filled with a near-insatiable urge to do something weird: to strike a funny pose, to kick off an inappropriate conversation, to remove one of my shoes and begin to eat it, to aggressively overturn a table or to shout “Titfuck!” at the top of my lungs.
I just can’t help it. I sometimes stand backwards at gigs. I sometimes shout the words “Ha Ha Ha” at trite comedians. I’ve cleared chess boards when I’ve been expected to lose graciously. To use the language of the cliché bore, I’m a stick in the mud.
“Anything popular is wrong,” said Oscar Wilde. I’ve been spouting this little micro-quote for a long time now. The irony, of course, is that quoting Oscar Wilde is in itself pretty trite. As I hear myself quoting him, a little bit of vomit pools in the back of my mouth.
Slightly more palatable is the mirrored maxim, “Anything different is good.” Thus spake Bill Murray in Groundhog Day, when he’s finally released from the time loop: an endless cliché of his own making.
When you make small talk or confess to a ‘guilty pleasure’ or are moved to announce that you enjoy Family Guy (doesn’t everyone?) or decide to buy one of those brilliant Mr. Men t-shirts that everyone else is wearing or to strike up a conversation about how good the latest Bond movie was, you are effectively saying, “I am operating on default settings. I am Times New Roman in size 12.”
Don’t think you can escape triteness by buying into an existing subculture either. If I see you wearing white make-up and a dog collar tomorrow, my friend, I will kick your ass.
Let’s declare war on the trite. When you see a singer on Jools Holland doing an impression of Chris Martin, please don’t reward him by going out and buying his CD, whether The Guardian likes it or not. Punish him! Don’t even let the TV people count your digital signal as a Nielson Rating: switch over to News24 or something instead. Hell, switch over to a channel that isn’t even broadcasting. Musak trumps music sometimes.
When someone uses a popular anachronism (“yeah, you and whose army?”), pull their trousers off. When their trousers are clumped around their ankles and they’re giving you a bemused “WTF?” expression, explain that you have Cliché Tourette’s. If you’re too much of a pacifist for that, just shout the word “HolocaustFuckCancerJar!” and carry on with the conversation as if nothing unusual had happened.
Neologisms are chief in our arsenal.
When someone speaks against non-sequitur or uses the phrase in the pejorative, give yourself a good, hard slap in the face. That’ll show ’em.