Friend Kristin has read my moth diary and she’s keen to tell me about a “natural” solution involving parasitic wasps.
Apparently you release the wasps at home and then seek out any unhatched moth eggs, feasting on them as the world’s grossest caviar.
Unleashing some wasps is immensely appealing, but I can’t help wonder if the situation wouldn’t get out of control. What, prey tell, will eat the wasps? Before you know it, you’ve entered an “old woman who swallowed a fly” situation and you now have a rather impractical horse infestation and you’re spending your evenings filling out the import forms on various apex predators. Your little West End flat becomes known as the spot where passersby are routinely plucked off the street by tentacles. We’d never get post again.
As it happens, the pheromone trap is doing rather well, our ten-moths-a-day murder count now reduced to one or even fewer. The trap now resembles a luscious moth-wing carpet, which I now plan to use to repair the various holes they’ve made in an act of mortal irony.
You come home from work and you turn the television on. Something’s wrong. Inspector Morse is on every single channel.
You thump the top of the set in a caveman bid to escape John Thaw’s stern face but your hand passes through the set with a sickening tear. The television set is made of paper!
The knobs and dials are paper, the remote control is paper, the set-top aerial is a triangle made from paper.
And that’s how you discover YOU’RE IN THE ARMANDO IANNUCCI SHOW. It’s 2001 again and you’ll have to come home the long way.
You’re on holiday in California, admiring the view at Big Sur, when you approach a local to ask for directions.
The man panics. “It’s no good!” he shrieks, looking around helplessly, “I can’t do it!” and then he leaps into the canyon.
Only the canyon’s not a canyon. The Californian passes through it with a sickening tear and runs on and on into an impossible white distance.
And that’s how you discover YOU’RE IN THE TRUMAN SHOW. It is Season 3 and the ratings are in the toilet.
It’s been an atypically social week, something friendly lined for every single night and three of the days.
So many pint glasses and ticket stubs has meant putting my Street Fighter health bar into the red and storming the treasury in a way not strictly compatible with the lifestyle of a twenty-first-century person of letters.
My idle self feels happy to have blown a week off so decadently, but as I look at the week’s spoils, it’s hard not to feel a pinch of dismay. Was fun had? Yes. Was your heart or mind opened even a crack? Oh yes. How’s your manuscript coming along? Quiet, you.
To the Glasgow contingent of the International Climate Strike where I march with thousands of truant schoolchildren, shouting “Fuck You, Boris Johnson!”
Look, they started it.
Among their midget ranks I loom like a benevolent periscope, admiring the sights from high above their heads and providing a convenient landmark for other marchers to orientate themselves. “Yes, Mum, I’m between the green flag and the geek.”
There are loads of great placards including “Earth is More Important Than Homework” and “Too Cool for School? Not In This Climate.”
The best one though (or at least the cutest) is a placard that shows Marie Kondo saying “Climate Change Does Not Spark Joy.”