Tetra-Pak Trudge

Readers of New Escapologist will know about my demented commitment to recycling.

For instance, I save all of my Tetra-Pak milk cartons (which can’t be recycled in our regular home recycling bins) for five or six months and then walk them (yes, walk them) to the dump.

I did this today.

It’s a 90-minute round trip, but I enjoy the exercise and the sense of moral superiority I get from going the extra mile (or six) for recycling.

Another thing I like is how the walk becomes increasingly familiar. I’ve been doing this walk for over three years now, so probably seven or eight times.

Because I wrote about the walk in New Escapologist Issue 14, I remember a lot of the things I wrote about. For example:

I have a moment of mild anxiety when a woman is coming towards me, knowing that we must pass. I think it’s someone who worked as a barmaid in my local pub and that she probably doesn’t like to be recognised by old punters. Unsure how to behave, I decide not to say hello nor to ignore her. Instead, I will rest my face in absolute catatonia. As we’re about to pass, I realise that saliva is pooling in my mouth and I really must swallow. I gulp nervously as she passes. Then I notice that it isn’t her at all.

That spot is now “barmaid corner” despite, in reality, having nothing to do with that person whatsoever. I probably only remember the incident because I wrote about it.

The walk takes me through the grounds of a hospital:

I pass the hospital. Thoughts of coronavirus testing days and a couple of x-rays and ultrasounds flit briefly through my mind.

What I always see but didn’t mention in the original report is a plastic human spine through a ground floor window. It must be an osteopath’s office or something.

I saw the spine today and, strangely, it was being snuggled up to by a lovely golden retriever. 🎵 “Goldie and Spiney / working the whole day through / Goldie and Spiney / criminals, watch out.” 🎵

There’s a juncture where I must choose to stay on the main path and pass some shops or to walk behind the shops down a back alley where only bins dwell. If I take the former, my state of mind is public-spirited and I imagine myself walking down an Amsterdam boulevard. If I take the latter, I feel like Batman or Angel, staying out of the light for maximum brooding.

Today I took the back route but I thought of this: I choose between Netherworld and Netherlands.

Deep, Deep!

I dump my tetra-paks, a handful at a time into the correct dumpster. They fall on top of everyone else’s. I notice that most of the tetra-paks are soya or almond or coconut milk like mine, none of them dairy milk. I suppose only the most devoted of hippies bother to recycle their tetra-paks.

And this is where I noticed something truly remarkable. Oh boy. As I opened the dumpster I was confronted with several milk cartons (same brand as the ones we buy) squashed flat-as-a-pancake just like mine.

Anyone who has seen my super-flattened Tetra-Paks will remember it. I flatten them to get as many into the bag as possible, delaying my walk to the dump for a little bit longer. Nobody else does that. Or so I thought.

Who is the other person who flattens their cartons like this? It could be love. My real soul mate, sorry Samara.

The one thing that troubles me is how few of them there were: maybe 20. This person isn’t keeping them for five or six months like I do. This suggests that they drive to the dump like a muggle. You have to walk, you idiots, or your commitment doesn’t count. A trip in a car obliterates the benefit of any effort you make to recycle.

Even so, I’d love to know who else is doing this. Were they inspired by the sight of my own perfectly-flattened Tetras when they opened the dumpster six months ago?

Or were these flattened cartons, quite simply, my own perfectly-flattened Tetras from six months ago? Surely not. Surely the bin is filled and emptied more often than that.

I will never know. And that, my friends, is a tragedy.

The walk back takes exactly the same time as it took to walk out, but it always feels a shorter walk in psychogeographical minutes.

Not this time. This time, I was troubled by what I’d seen in that bin. And the walk home seemed to take ages.

Bin:

🎵 “Show us your garbage / show us your trash / if people like it / you’ll win some cash.” 🎵

Itchy-Scratchy

I’ve been feeling a bit itchy-scratchy lately and struggling to relax.

It’s partly because of having too much to do — the ideas and the burden still moving around in my mind when I’m trying to relax — and partly because of an eczema flare that’s been going on for over a year.

Thankfully, there’s light at the end both tunnels. In the eczema department, I’ve been getting phototherapy. This involves reporting to hospital three times a week to stand in a sunbed-like tube and being blasted with UV light for about a minute.

It’s the sort of thing that seems destined to make me a superhero or give me cancer, but I’ll settle for unitchy, unscabby, elastic, unreddened, non-flayed, unsore skin. I only have five sessions left, so this standing appointment can soon be scratched (as it were) from my bloated schedule.

In terms of being too busy (a shameful state for a proud idler), the end of October sees the end of multiple projects. Then I’ll be travelling for a month or two: Utrecht, Amsterdam, Barcelona, Zagreb, Belgrade, Athens, Montreal. This is a genuine attempt to get away from it all and I’m looking forward to it. I like being out in the world with nothing to do. I’ll be with Johnston for the European cities and Samara for the Canadian one. Escaaaaape!

Until then, I’ve been resorting to my favourite ’90s telly comedy to relax: deep dives into Adam & Joe, Red Dwarf, and Lee & Herring. This is something I usually try to avoid — to consume new stuff, new culture, instead of falling back on old favourites — but I’m embarrassingly tired and, as I said, struggling to wind down. The comfort provided by Pliny and Histor and a cavernous old JMC ship seems to do the trick.

Oddly, none of these deep dives has involved actually watching full episodes of these shows. Maybe this a twenty-first century phenomenon. For Adam & Joe, I’ve been watching clips (“when I go and see Villa / my view is blocked by a concrete pillar”) and reading this (“eight quid forty-five for half an hour of stupid craaap”). For Lee & Herring… actually, for them I have been watching full episodes albeit supported by a forum watch-along.

For Red Dwarf I’ve been reading and listening to small chunks of the first two novels (did anyone remember that the toaster kills the polymorph in the book version – I had forgotten this) and watching video essays like this one on YouTube. I also watched the Bodysnatcher stuff for the first time, which really tipped me over the edge. I hope Rob Grant manages to give his new book and TV series (if they ever happen) the quiet desolation I crave. No more wacky “Doug Dwarf” boner hijinks please, Rob.

I also made a Dave Lister jacket.

Polyunsaturated

Spotting one of my type in a cafe at the weekend, my wife gave me a little nudge.

“Out of my league,” I said. “But maybe not out of… our league.”

A top wingman she may be, she was having none of it. Worth a try though, eh?

Do You Have a Mantra?

Ben Moor is a lovely, talented, warm-hearted person. Don’t take my word for it. He’s famously this.

A few days before my first proper show in 15 years, I asked Ben by email if he had any tips. He wrote back:

Breathe deeply before going on – do you have a mantra? – mine is borrowed from [American football coach] Marv Levy who used to say to his players “Where else would you rather be, than right here, right now.” It’s the last thing I say to myself before going on stage and it settles me nicely.

Also, if you think you’re talking too slowly, you’re probably talking at the right pace.

Have fun out there!

Love and peace,

Ben x

Object Number 2

Object Number 2 in our inventory is a ticket stub.

Going to see Dreams With Sharp Teeth on 25 June 2008 was an important night out.

Full article here.

Edinburgh WIP

With Mark Cartwright and Simon Munnery at the Edinburgh WIP screening of Melt It!

And here’s me and Mark’s debrief a few days later:

Heckling for Fun and Profit

Dembina: So I was walking down the road, as the comedians say…

Me: Which road?

Dembina: The Holloway Road. It joins up with the A1.

Me: Glad I asked.

Dembina: Good heckle.

*

Dembina: What’s it called? Jewish Playboy?

Me: Playmensch.

Dembina: Nah, not…

Me: Playgoy?

Dembina: That’s it. You can have 50p for that one, not a pound.

*

The spirit of the Tunnel Club is alive in Edinburgh.

Iceman WIP Screenings

Coming up: Edinburgh (14th Aug) and Birmingham (24th Aug) WIP screenings of the Melt It! film.

These will include an unseen ~40-minute early cut of our film, which stars Jo Brand, Stewart Lee, Ronni Ancona, Robin Ince, Simon Munnery, Neil Mullarkey, and of course the Iceman and me.

Director Mark Cartwright and I will then follow the screening with a 20-30 minute (depending which version you come to) in-person talk and Q&A.

I daresay there will also be ample opportunity for a chat in the bar afterwards.

Part of the mission is to raise money to help us finish the film. The Edinburgh screening is part of the PBH Free Fringe so there’s no cost to entry. If you can afford it though, please put some money in the bucket at the end. Birmingham tickets, meanwhile, are a tenner.

Come! See what on Earth we’ve been up to, help us tie a bow on this fucker, and hear about our remarkable journey so far.

Here’s a special trailer just for these WIPs:

icemanfilm.co.uk

The Magic of Books

Some fan mail arrives for Mister Bob.

“I just wanted to pass on my thanks,” they write, “to Mister Bob for bringing Stendhal’s Scarlet and Black to my attention.”

To which I respond: “you’re very welcome. I will pass your message on to Mister Bob.”

I mean, he’s dead in 2024. But thanks to the magic of books, I have access to him through time.

Which is true.

*

Another recent mention of Mister Bob in real life.

Friend J is going to Portobello. “Look out for Mister Bob,” I say.

“Oh yeah,” he says, “I’m more concerned that I’ll be mistaken for him.”

*

If you don’t know what I’m talking about, here’s the book you need to buy.

Too Slow

I just got a rejection letter (yes, by post) for a novel I published over a year ago.

The novel is almost at the end of its life cycle. It’s been read, reviewed, reprinted, won a prize, and I’m halfway through writing the next one.

Nice going, publishers.

Little Yellow Hardback

Hi S,

Thanks for your offer to proofread and I’ll keep it in mind for sure. I already have some reliable people for that but more eyes is always a good thing.

No spoilers! Actually, part of the gimmick this time (unless I change my mind) is to have no text on the cover at all and no synopsis online: let every reader come into it cold as ice.

This is partly because the premise is (a) a bit slight to be honest (b) works better as a weird surprise and (c) I like the idea of being mysterious/a tease.

At the moment, I envision it as a little yellow hardback with, as I say, zero text on the cover.

You already know more about this novel than anyone else.

RW

Object Number 3

Object Number 3 in our inventory is my Kubrick Box. All will be explained. I have written a thousand words here about a cardboard box.

Full article here.